The Blue Room | Review and Giveaway

THE BLUE ROOM is a French erotic thriller in typical French fashion. It stars and is directed by Mathieu Amalric, most known from QUANTUM OF SOLACE, THE DIVING BELL AND THE BUTTERFLY and THE GRAND BUDAPEST HOTEL. THE BLUE ROOM is released in Australia for download and home entertainment from Curious Film Distribution and thanks to them and our good mate Bill we not only have the review for you but we have a giveaway of 4x iTunes download vouchers so you can see the movie at home. You can find out how to enter down below but for this one we are keeping it quick and simple, the first four people to enter will win a voucher. Now without further ado, enjoy Kernel Jordan’s review of THE BLUE ROOM, it is rated R18+ and runs for 76mins…..all the best…..JK.


The Blue Room Movie Poster image



I first saw Matthieu Amalric in Roman Polanski’s last film, which oddly enough can be compared to this film in some ways. The intensity he brings to his role in THE BLUE ROOM is reminiscent of his performance in VENUS IN FUR, though I feel this is easily his best performance to date. Perhaps unsurprising, as he is in the director’s chair this time around. Adapting from the source novel (or short story) written by Georges Simenon, the film motors through the plot in just over 76mins, with the tension rising as each new piece of information is revealed. The structure of the movie is not entirely original, but it is handled with French finesse. I suppose you could call this an erotic thriller for lack of a better term, as that is what it is at its core. From the beginning of the movie, Amalric’s Julien Gahyde is being questioned, but we have no idea why, or by who.


the blue room Léa Drucker image


He is not very co-operative or talkative; each time he is interrogated he looks lost, as if he is dreaming of the lust that has landed him in such a situation. His beard looks unkempt, he simply doesn’t look well. As events transpire we begin to realise just why he is looking this way. Using the narrative structure I mentioned, Amalric introduces new elements to the mystery with perfect timing. Each time he is questioned we don’t know what it means, since Julien is so uncooperative. Then we are taken back to the past where we see a scene or two that explains this new information. These scenes are essentially answering the questions that Julien is refusing to. However, nothing is ever fully explained. This movie is filled with ambiguity, and each new ‘clue’, each introduction of a new theme is consistently surprising and each time it changes the momentum of the film. Minor, major, trivial, we never know until we watch the scenes of the past that accompany the questions, and by film’s end, we still are not certain of what exactly happened.

THE BLUE ROOM does a fair amount of genre-splicing and consequently is an extremely different film to those I am used to. It is a story about lust versus love, how the two can get mixed together, creating complicated scenarios. It is also an apt demonstration of how lies can pile up on top of one-another. Julien’s character is also interesting, as we essentially see two versions of him: one barely able to speak cohesively, and another who is married but can’t stay away from THE BLUE ROOM.


The Blue Room movie image



Julien seems naive; a coward of a man, and his refusal to cooperate creates more tension; the scenes from the past become more engaging as we find out more pieces of the truth. Or are they just Julien’s version of the truth? The movie constantly has you thinking. This back and forth style continues for most of the film’s runtime, save for the final act. This narrative structure doesn’t become annoying or boresome in any way, in fact due to the idea of taking a simple affair and pairing it with suspense, I was left wanting more. Not to mention the film is too short to become sick of a narrative device.

An ‘erotic thriller’ is perhaps not for everyone; but if you forget the romantic elements, this is a finely crafted mystery/thriller, with a unique narrative and multiple flashback scenes that are used well. The romantic element of the film isn’t sappy or overly sentimental at all, the opposite in fact. The French certainly have a knack for this kind of thing, and Amalric has really crafted a gem for his debut. I hope to see more of him behind the camera.

I loved THE BLUE ROOM, and the final act is simply spectacular. A fine example of efficient filmmaking; the final act could have been five times the length it was, but with the use of some beautiful classical music, some great acting without words, and fine editing, it is over before you know it, with ambiguity having the final word. I found myself utterly riveted.


4 and a Half Pops


With special thanks to Curious Film Distribution to win one of the 4X iTunes download codes for THE BLUE ROOM you need to either like and share/ retweet this post on Facebook/Twitter/ Google+/ Pinterest/ LinkedIn/ Flipboard or Instagram (all the links to follow us are on the top right of homepage), you then need to leave a comment below stating the answer/s to the following questions:

What is your favourite sexual thriller of all time and why? Mine has to go to Lady Stone for BASIC INSTINCT :).

If you do not have social media then you can still enter, leave your entry below in the comments and then email me at telling me you don’t have social media (you still need to enter on the website).

This is a first in first served basis – the first four entries win!

Good luck! Oh, and minor housekeeping – huge apologies for overseas readers, this  is only available to Australian residents.



Jordan Dodd is an aspiring novelist hailing from Adelaide, Australia. His first book is a chronicle of his experiences in a rehab centre that was more of a cult than anything else, and his goal is to finish it and pitch it to someone who matters. It can be found here. He also enjoys writing about film, which is probably his biggest obsession (apart from writing). When not writing for Salty Popcorn Jordan has his own website – he can be contacted via


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