Professor Marston and the Wonder Women Review

Kernel Jack heads out to review PROFESSOR MARSTON AND THE WONDER WOMEN – the mostly of the origins of how came into being. Who would have thought it was a little Fifty Shades? It releases this Thursday 9th November in Australia from . It runs for 110mins and is rated MA15+. Enjoy Jack’s thoughts……..all the best…….JK.

BY

Wonder Woman has been a popular figure in pop culture for over 75 years. Her comics have been smash hits, not to mention her animated appearances and live action TV show starring Lynda Carter. As I’m sure most of you are aware, the character made her live action solo film debut earlier this year as well, breaking records everywhere and putting DC films back on the map (review HERE). The character is an icon, and one that’s been around for years. So, naturally, I’d find myself curious about her origins. And I’m not just talking the origins of the character, but of her creation. Enter PROFESSOR MARSTON AND THE WONDER WOMEN.

 

PROFESSOR MARSTON & THE WONDER WOMEN Luke Evans and Rebecca Hall image
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PROFESSOR MARSTON AND THE WONDER WOMEN SYNOPSIS:

I went into this film blind. I knew of its existence, and its unfortunate flop at the overseas box office, but when it came to the actual story being told, I didn’t have a clue what to expect. Were we going to focus on a legal battle? A copyright issue? Or a sexism controversy? I wasn’t sure. It could’ve been anything, and what I will say about it is that it’s not anything at all like I was expecting. This is a tale of sexuality, dominance, submission, loving who you want to love, the female power, unnecessary restraints on relationships and the creation of one of the most iconic characters of all time, not to mention the outrage her appearance caused.

The titular character of Professor Marston (Luke Evans) is a semi-famed psychologist and college professor in the midst of creating what would go on to be the lie detector with his wife and frequent collaborator Elizabeth (Rebecca Hall). When their research and practice is put at a standstill, they attempt to overcome the problems by asking one of the students to help. This student is Olive Byrne (). Together, the three of them grow close; reaching a point where their relationship takes a step further, and their journey together results in the creation of Wonder Woman.

A VERY DIFFERENT TYPE OF STORY:

While I went into this film expecting it to be as such, PROFESSOR MARSTON AND THE WONDER WOMEN isn’t necessarily the story of the character’s creation. I mean, yes it is. Technically speaking, it is, but her creation comes from the aftermath of a long string of events, where she doesn’t really come into the mix until the third act. We follow Marston and his wonder women of life as they explore an unconventional way of living, while embracing themes of dominance and homosexuality. It’s where this tale of love and embracement becomes a moving, emotionally resonant biopic I’d definitely recommend.

 

PROFESSOR MARSTON & THE WONDER WOMEN Rebecca Hall and Bella Heathcote image
Rebecca Hall and Bella Heathcote

 

RESONATING THEMES:

It does deal with a lot of heavy themes, most of which involving topics of sex, so while a biopic about the creation of Wonder Woman might sound like something the whole family can enjoy, it’s certainly for mature audiences only. Even before the Wonder Woman aspects are introduced to the plot, aside from intercut interviews set after her creation, the film manages to work well in its own right. It’s a story of exploration and discovery, and the themes resonate deeply. They never take the sexual aspect of the story too far. In fact, everything they show is completely relevant to the plot, and it’s a story I loved watching.

NOT WITHOUT IT’S SHARE OF PROBLEMS:

The entire film feels very low budget, to the point where it often feels like a television movie put on the big screen, and I’m not talking about a GAME OF THRONES-level TV show. I’m talking sitcom levels of set design. It’s all very basic and small, with generic period piece costuming and set design, except without the flare or excitement. Writer and director does do a great job, especially in the scripting department, but her background as a television director (her last feature film was HERBIE FULLY LOADED in 2005) is made very apparent.

Not only that, but towards the second half, the film does have a tendency to go full Hollywood. Biopics can be executed in very similar, familiar ways from time to time, and while PROFESSOR MARSTON AND THE WONDER WOMEN does its best to avoid falling for clichés, it can’t help it. The second half sees plenty of time jumps, bouncing all over the place, and it’s a bit too much to take in, but all of the scenes used are necessary to the story. Their inclusion is understandable, but it doesn’t make the execution any less choppy.

 

PROFESSOR MARSTON & THE WONDER WOMEN image
Rebecca Hall, Luke Evans, JJ Feild and Bella Heathcote

 

IN CONCLUSION:

For the most part, PROFESSOR MARSTON AND THE WONDER WOMEN is spectacular. The first half in particular is a well-acted and thoroughly entertaining, if not surprisingly mature, look at some very interesting topics and themes. This isn’t a film necessarily about the creation of Wonder Woman, but more so what led to the creation of Wonder Woman, and it’s one I couldn’t recommend enough.

 

 

 

YOUR CRITIC:

When he’s not spending an embarrassing amount of hours browsing through Netflix, Jack Dignan dedicates his time to reviewing movies of all genres and languages. He has done so since 2012. He also maintains a website of his own – www.directorscutmovies.com – and ever since their interview, he’s been best friends with Quentin Tarantino. Tarantino just doesn’t know it yet. 

** Images used are courtesy of various sources on Google or direct from the distributor or publisher. Credit has been given to photographers where known – images will be removed on request.