MOLLY’S GAME – you had me at Chastain, Elba and Sorkin

MOLLYS GAME – you basically had me on board at the name Chastain, then there is the name Elba, then you hear it’s written AND directed by . SHUT UP AND TAKE MY MONEY!! Chastain plays – in the “Sorkined” retelling of the True Story of the 26-Year-Old Woman Behind the Most Exclusive, High-Stakes in the World. I am so on board for this movie but sadly I couldn’t make the press screening and thankfully, Kernel Jack reviews. I will be catching it this week and cannot wait!

MOLLY’S GAME is OUT NOW from Entertainment One, it is rated M and runs for 140mins. Enjoy Jack’s review……..all the best….Salty.

 

Jessica Chastain in Molly's Game image
in Molly’s Game

 

BY JACK DIGNAN

The worlds created within screenwriter (and now director) Aaron Sorkin’s films are not unlike reality. His filmography, which includes such masterpieces as THE SOCIAL NETWORK and STEVE JOBS (the good one), delves deep into complicated, intelligent, fast talking characters whose success often hides their flaws, and it’s up to Sorkin to create a film that exceeds beyond the word ‘entertaining.’ The worlds are familiar. But they’re not the same. He doesn’t indistinguishably recapture reality, but instead, he takes reality, and more often than not true stories, and he sharpens them into the exact version of that story he knows audiences want to see. They’re not always 100% accurate, but they’re far more entertaining than they would be in the hands of anyone else.

MOLLY’S GAME SYNOPSIS:

MOLLY’S GAME is no exception. The primary plot beats of the true events are kept alive, but the smaller, finite moments are executed in the most Sorkin of ways, and I wouldn’t want any other version. We follow the story of Molly Bloom (Jessica Chastain), an ex-Olympian who fell from fame after a severe injury, but, given the fiery determination of her personality, she doesn’t let that stop her from rising amongst the ranks. While her career may no longer be skiing, Molly still manages to find success through high stakes poker. We intercut between her rise in power as well as the court case she gets wrapped up in a number of years later, aided by her (albeit fictionalized) lawyer Charlie Jaffey ().

 

Jessica Chastain and Idris Elba in Molly's Game image
Jessica Chastain and Idris Elba in Molly’s Game

 

TYPICAL SORKIN BRILLIANCE:

This is a film of pure, non-stop entertainment. Aaron Sorkin is a master of words, able to spin any situation into a gripping sequence of conflict with high-impact emotional resonance. It’s a highly calculated and relentlessly fast whirlwind of verbal elegance that spits words faster than these characters can shuffle cards. You don’t need to enjoy nor understand the ways of poker to be invested in this story. It’s not necessarily a story of poker, either; it’s the story of a woman overcoming her trodden down past to be the best of the best in an unmatched display of raw power, and I loved it.

The narrative goes in a lot of different directions without allowing time for the audience to catch up. In a lot of regards, I respect that. It doesn’t look down on the viewers, but rewards their attention, however there is a sort of overbearing feeling that looms large throughout. So much information is thrown your way that it’s easy to get lost, and within that confusion, character motives, and in some cases character relevance, isn’t clear. The opening of this film is fantastic. I want to get that out of the way. But it’s so much information and voice over thrown at you all in the one go and it takes a moment to get a grasp on where you’re at. You’re half a step behind before it even begins, but once you catch up, the rest is worth the effort.

 

Michael Cera in Molly's Game image
Michael Cera in Molly’s Game

 

A DISPLAY OF TALENT:

What it does serve as is another fine display that Jessica Chastain is better than all of us. This feels strangely like a sequel/spin off to Chastain’s recent MISS SLOANE, all the way down to the way her character acts, looks and talks, but even still, her performance is one of her best. If it weren’t for an overcrowded year of excellent performances, Chastain’s name would certainly be up in the air in regards to awards considerations. This is the best she’s been since ZERO DARK THIRTY, matched by an all-star supporting cast featuring the likes of Idris Elba, and Michael Cera. Sure, not every celebrity appearance needs to be there (Chris O’Dowd plays a drunk Irishman simply because Chris O’Dowd is great at playing a drunk Irishman), but they’re welcomed nonetheless.

 

Kevin Costner and Jessica Chastain in Molly's Game image
Kevin Costner and Jessica Chastain in Molly’s Game

 

WRITING VS. DIRECTING:

Sorkin’s approach to directing is admirable, and he’s certainly making a step in the right direction towards a long lasting career behind the camera, but one can’t help but feel he’s better at being behind the computer instead. There’s nothing necessarily awful about the way he directs this film, and I’m sure with more time given to the craft he’s be bound to improve and perhaps even stand alongside some of the all time greats, but for now, a lot of it feels… bland.

We’re constantly taken to high class, luxurious locations yet it doesn’t feel like it. There’s just nothing visually interesting about it. STEVE JOBS is a film I gave 5 stars to, but I didn’t just give it 5 stars because of the script and the performances (not to discredit the art of screenwriting in any way. It’s a career I want to get into myself). Boyle’s direction took what Sorkin had and crafted an immaculate spectacle. With MOLLY’S GAME, Sorkin’s directing is only partially there.

 

Idris Elba in Molly's Game image
Idris Elba in Molly’s Game

 

IN CONCLUSION:

MOLLY’S GAME doesn’t get everything right, but it gets enough right to work wonders. There’s a moment when the world’s greatest on-screen dad, Papa Steve Harrington from STRANGER THINGS, makes an out-of-the-blue appearance, and the crowd of critics at the screening collectively gasped. If that isn’t enough of a selling point… well… then you’re just missing out.

 

 

 

YOUR CRITIC:

When he’s not spending an embarrassing amount of hours browsing through Netflix, Jack Dignan dedicates his time to reviewing movies of all genres and languages. He has done so since 2012. He also maintains a website of his own – www.directorscutmovies.com – and ever since their interview, he’s been best friends with Quentin Tarantino. Tarantino just doesn’t know it yet. 

** Images used are courtesy of various sources on Google or direct from the distributor or publisher. Credit has been given to photographers where known – images will be removed on request.